LL COOL J recently sat down at the Jean-Michel Basquiat: King Pleasure© Exhibition in DTLA inside the Michael Todd Room at the Palladium with Jeanine Heriveaux and Lisane Basquiat, the sisters of world-renowned artist, Jean-Michel Basquiat, for a special episode of Influence of Hip-Hop.
Joined by Posdnous and Maseo of De La Soul, the intimate conversation was in celebration of Hip-Hop's 50th anniversary, and the launch of the Jean-Michel Basquiat: King Pleasure© Exhibition, curated and produced by the family of Jean-Michel Basquiat. The exhibition tells the story of Jean-Michel from an intimate perspective.
One of the most lauded artists of all time, Basquiat served as a bridge between two burgeoning art forms in the 80s — Hip-Hop and Street Art. Basquiat's well-known friendship with Fab Five Freddy, one of Hip-Hop's beloved ambassadors and a Rock The Bells Icon, helped catalyze his connection with Hip-Hop music and culture.
Basquiat, known as the "patron saint," has long been a cultural marker for Hip-Hop, referenced by countless Hip-Hop artists lyrically — from Killer Mike, Jay-Z, and Rick Ross to Wale. But it's Basquiat's vision, unique perspective, and desire to help reshape the world through the impact of his art that had an indelible impact on Hip-Hop. In many ways, Hip-Hop continues to emulate Basquiat's drive and foresight. Basquiat started out as a graffiti artist — a writer— and the two art forms, Hip-Hop and visual art, are inextricably linked, both firmly rooted in storytelling and relaying truths about the Black experience.
You can feel Basquiat's influence woven into the street art that paints cities like Atlanta, Chicago, Houston, L.A., and his hometown of Brooklyn, NYC, and you can hear his artistic voice in Hip-Hop artists like Chuck D, De La Soul, J. Cole, Rapsody, and Kendrick Lamar. The new exhibition draws a unique story that's laser-focused on examining Basquiat's maverick mindset.
"Jean-Michel had a purpose," Lisane said. "He was really driven, and he felt resistance. No one really understood what it was that he had within him. And if you look around at his artwork, like, this is a lot of energy to have within yourself in a world where you have dreadlocks, and it’s the 70s and you're a Black guy, and people don't understand where you're coming from because there were no role models for him. There wasn't a Kehinde Wiley, or someone else for him to point to, where he can say, 'Oh, there's this Black man, who has done this thing.' So it was a constant challenge. He didn't say these words to me but I would offer that I think it was like, he knew it was a challenge but he was navigating it. He was figuring out how to flow through and around that challenge and to show people that what he had within him was something they truly needed and wanted to see."