D.L.B. says that “It’s Magic” was based on a routine that the group used to perform which was inspired by the braggadocios feats that the Temptations sang about on their hit “I Cant Get Next To You” . The group simply converted the subject matter to Hip Hop form and scored an underground classic over the Cat Stevens “Was Dog A Donut” break replayed by Enjoy house producer and musician the late Pumpkin. “It’s Magic” was a great record to introduce those outside of the boroughs to the Fearless Four, and it also kept the iconic Enjoy label relevant in the fast changing rap genre.
In 1982, The Fearless Four also released “Rockin’ It” to success that greatly surpassed their debut. While many D.J.’s were spinning Kraftwerk’s “Numbers” and “Trans Europe Express” as a sound bed for their MCs to rhyme over, The Fearless Four recruited Pumpkin once again to replay the lesser-known “Man Machine” break for “Rockin’ It." The song was an instant success that Frankie Crocker had to personally retire from the #1 spot on New York’s WBLS because it spent so many weeks there. “Rockin’ It” has been sampled by everyone from De La Soul and MC Lyte to Jay-Z and Camp Lo.
The Fearless Four signed to Elektra/Asylum Records in 1983 and released the maxi single “Just Rock”/”Got To Turn Out”. This Pumpkin produced single had a further reach than that of their previous efforts due to Elektra’s distribution and promotion power. One thing that separated this release from other Rap releases of the time was the fact that it came in a record cover that contained a picture of the group with a graffiti logo created by group member and graf artist The Great Peso. The maxi single titled “Something New” also contained a short bio and picture of each member on the back of the record cover. This kind of attention to the artist as a real and viable entity had not been bestowed upon a rap artist before, especially on a single. This release was not as popular as “Rockin It," likely due to the faster tempo and Punk Rock feel of “Just Rock” (“Just Rock” was an interpolation of “Cars” by Gary Numan) at a time when tempos were slowing down and the music was becoming mostly drums. This was the year that Run-D.M.C. released the record that literally ushered in the next school - “It’s Like That/Sucker M.C.’s” rendering many records created outside of that format dated.
In that same year the Fearless Four released the maxi single “Problems of The World” which contained “Fearless Freestyle” and “F4000” as well as the title track. Penned by DLB, “Problems of The World” though not as gritty as “The Message” by Grandmaster Flash & The Furious 5 picked up where “The Message” left off with each MC addressing timely urban issues such as job loss due to technology, adultery, child abuse, relationship stress even kleptomania. The track, produced by Davy DMX, Pumpkin, Kurtis Blow and the late Mr. Magic was their best received since “Rockin’ It” and combined with a scripted video (a rarity at the time in Rap and another advantage of the Elektra affiliation) put the Fearless Four in a good position in this newly formed “drum machine era”. Lyrically “Problems” was ahead of it’s time. DLB’s line about computers taking over was written 15 years before the internet and was a precursor of what was to come.
“Fearless Freestyle” has an interesting back story. At the time a freestyle was not an impromptu “off the top” rhyme. It was a written rhyme that didn’t follow any particular format or subject matter. Mr. Magic cued up the instrumental of “Problems of The World” and muted Davy DMX’s bass line. He told the MCs to start rhyming to the drum track so that he could get a good recording level on the microphones. The MCs spit their rhymes and passed the mic off to the next MC unaware that Magic intended to save the performance as a song. What we hear on “Fearless Freestyle” was simply a practice run for the MCs, but for the listener it was an incredible display of lyricism.