There are moments that have become embedded in Hip-Hop’s history: Suge Knight onstage at the 1995 SOURCE Awards, Wu-Tang Clan releasing the “Triumph” video, any number of Kanye West outbursts.
But these are some of rap’s most slept-on moments and facts. Those interesting little tidbits that remind you just how interconnected and vast the Hip-Hop landscape has always been.
The Material Girl’s 1991 hit “Justify My Love” was produced by none other than Lenny Kravitz (you can hear his ad-libs throughout the steamy track), and prominently uses a sample/loop of Public Enemy’s 1988 instrumental “Security Of the First World,” named after the group’s iconic dancers, and the interlude on P.E.’s masterpiece It Takes A Nation Of Millions To Hold Us Back.
Speaking of Public Enemy, Chuck D and The Bomb Squad were mentors of sorts to a young rap group out of Long Island that featured rappers named Dinco D, Charlie Brown, and Busta Rhymes. Chuck gave the hyperanimated Busta his moniker, but the crew didn’t have a name. Another all-white group was also being produced by The Bomb Squad at the time, and the Squad had trouble deciding who should get this cool-sounding name they’d come up with: “Leaders Of The New School.” So, they had the two groups record a song each and whomever had the hottest track, got to be “Leaders…” The other group had to settle for “Young Black Teenagers.” Busta and Co. won the challenge, so the group of white kids was christened the Young Black Teenagers.
A young Dwight Myers was eager to make a name for himself as a rapper, so in high school, the Mt. Vernon High football standout began rapping with some friends of his and calling himself “Heavy D.” Amongst those friends was Albert Brown, who was quarterback at Mt. Vernon High. Brown wasn’t that great of an emcee, but he would also add some vocalizing to the hooks on their demos. When Heavy D and DJ Eddie F (of The Boyz) managed to get their demo to a young music exec named Andre Harrell, Harrell took notice of the guy singing the hook. He signed Heavy D & The Boyz, but he connected Albert with Quincy Jones. Soon, Albert was going by Al B. Sure! (after a Dana Dane lyric) and winning showcases as an up-and-coming R&B star.
Before he was the King Of the South, a young Clifford Harris was just an aspiring emcee looking to break through in the burgeoning ATL rap scene. His first appearance in a music video was fairly low-key; in the opening moments of YoungBloodz’s hit video for the Big Boi-assisted “I-85,” the duo recruited a then-unknown Clifford “Tip” Harris and his manager, Kawan “K.P.” Prather, as two ATLiens riding along, speaking in thick Georgia slang, praising how real YoungBloodz and their music is. It would be the world’s first glimpse at the future chart-topper.
Today, Queen Latifah’s name is synonymous with her Flavor Unit brand. But that wasn’t always the case. The Jersey rhymer was still just a teenager when she joined the already-established Flavor Unit crew in 1988; a crew spearheaded by the legendary superproducer Mark “The 45 King.” Though she was the last to join, Latifah was the first to land a deal (with Tommy Boy Records); and the crew put all of their collective efforts into Latifah’s debut album, 1989’s All Hail The Queen. The success of that album paid dividends for the 45 King; who landed a production deal with Warner Bros. Unfortunately, success also kickstarted a period of addiction for the hitmaker, and by the time Queen Latifah was ready to record her sophomore album, The 45 King was in the throes of PCP. Sensing the Unit needed direction, Latifah and her business partner Shakim Compere incorporated the “Flavor Unit” name, turning it into a true management company and label. At only 21 years old, Sha and Latifah then went about signing acts like Naughty By Nature and Zhane, setting the stage for Flavor Unit to become one of the most successful brands in Hip-Hop and entertainment.
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Hip-Hop has come a long way since its humble beginnings in the streets of New York City in the late 1970s. Today, it’s a global force, not only in the music industry but in the daily lives of billions of people.
The genre has given rise to some of the most influential musicians ever, from pioneers like the Beastie Boys and Afrika Bambaataa to new-gen legends like Kendrick Lamar and Drake.
Let’s look at ten more pivotal movements and moments from the half-century of hip-hop: